Unit 18 Just Walking In The Rain
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18、Just Walking In The Rain-jim reeves
Just walking in the rain, getting soaking wet, torturing my heart by trying to forget. Just walking in the rain, so alone and blue, all because my heart still remembers you.
People come to (their) windows. They always stare at me. (They) shake their heads in sorrow, saying, "Who can that fool be?" Just walking in the rain, thinking how we met, knowing things could change, somehow I can*t forget.
Just walking in the rain*
1、
Gentleman Jim Reeves was perhaps the biggest male star to emerge from the Nashville Sound. His mellow baritone voice and muted velvet orchestration combined to create a sound that echoed around his world and has lasted to this day. Detractors will call the sound country-pop (or plain pop), but none can argue against the large audience that loves this music. Reeves was capable of singing hard country ("Mexican Joe" went to number one in 1953), but he made his greatest impact as a country-pop crooner. From 1955 through 1969, Reeves was consistently charted in the country and pop charts — an amazing fact in light of his untimely death in an airplane accident in 1964. Not only was a presence in the American charts, but he became country music's foremost international ambassador and, if anything, he was even more popular in Europe and Britain than he was in his native America. After his death, his fanbase didn't diminish at all, and several of his posthumous hits actually outsold his earlier singles; no less than six number one singles arrived in the three years following his burial. In fact, during the '70s and '80s, he continued to have hits with both unreleased material and electronic duets like "Take Me in Your Arms and Hold Me" with Deborah Allen and "Have You Ever Been Lonely?" with his smooth-singing female counterpart of the plush Nashville Sound, Patsy Cline, who also perished in an airplane crash, in 1963. But Reeves' legacy remains with lush country-pop singles like "Four Walls" (1957) and "He'll Have To Go" (1959), which defined both his style and an entire era of country music.
2、torture(n.)折磨，（vt.）使痛苦，折磨
3、soaking (a.)湿透的，(adj.)湿透地
a soaking downpour 倾盆大雨
get soaking wet 全身湿透
Just walking in the rain, getting soaking wet, torturing my heart by trying to forget. Just walking in the rain, so alone and blue, all because my heart still remembers you.
People come to (their) windows. They always stare at me. (They) shake their heads in sorrow, saying, "Who can that fool be?" Just walking in the rain, thinking how we met, knowing things could change, somehow I can*t forget.
Just walking in the rain*
1、
Gentleman Jim Reeves was perhaps the biggest male star to emerge from the Nashville Sound. His mellow baritone voice and muted velvet orchestration combined to create a sound that echoed around his world and has lasted to this day. Detractors will call the sound country-pop (or plain pop), but none can argue against the large audience that loves this music. Reeves was capable of singing hard country ("Mexican Joe" went to number one in 1953), but he made his greatest impact as a country-pop crooner. From 1955 through 1969, Reeves was consistently charted in the country and pop charts — an amazing fact in light of his untimely death in an airplane accident in 1964. Not only was a presence in the American charts, but he became country music's foremost international ambassador and, if anything, he was even more popular in Europe and Britain than he was in his native America. After his death, his fanbase didn't diminish at all, and several of his posthumous hits actually outsold his earlier singles; no less than six number one singles arrived in the three years following his burial. In fact, during the '70s and '80s, he continued to have hits with both unreleased material and electronic duets like "Take Me in Your Arms and Hold Me" with Deborah Allen and "Have You Ever Been Lonely?" with his smooth-singing female counterpart of the plush Nashville Sound, Patsy Cline, who also perished in an airplane crash, in 1963. But Reeves' legacy remains with lush country-pop singles like "Four Walls" (1957) and "He'll Have To Go" (1959), which defined both his style and an entire era of country music.
2、torture(n.)折磨，（vt.）使痛苦，折磨
3、soaking (a.)湿透的，(adj.)湿透地
a soaking downpour 倾盆大雨
get soaking wet 全身湿透